The first cassette tapes I ever bought, Abbey Road and Cosmos Factory, at the same time on the same day, the first of innumerable cassette tapes. Prior to that, everything I bought was on vinyl. Come together, was the most powerful song I’d ever heard and “Cosmos Factory” by CCR was a perfect back-up (and antidote) for “Let it Be” by the “Beatles”.
Come together – Origin and meaning
The song’s history began when Lennon was inspired by Timothy Leary’s campaign for governor of California against Ronald Reagan, which promptly ended when Leary was sent to prison for possession of marijuana:
The thing was created in the studio. It’s gobbledygook; Come Together was an expression that Leary had come up with for his attempt at being president or whatever he wanted to be, and he asked me to write a campaign song. I tried and tried, but I couldn’t come up with one. But I came up with this, Come Together, which would’ve been no good to him – you couldn’t have a campaign song like that, right?
It has been speculated that each verse refers cryptically to one of the Beatles. It has also been suggested that the song has only a single “pariah-like protagonist” and Lennon was “painting another sardonic self-portrait”.
Lennon played rhythm guitar and sang the vocal, McCartney played bass, Harrison played lead guitar, and Starr played drums. It was produced by George Martin and recorded at the end of July 1969 at Abbey Road Studios. In the intro, Lennon says: “shoot me”, which is accompanied by his handclaps and McCartney’s heavy bass riff. The famous Beatles’ “walrus” from “I Am the Walrus” and “Glass Onion” returns in the line “he got walrus gumboot”, followed by “he got Ono sideboard”. Bluesman Muddy Waters is also mentioned in the song.
Music critic Ian MacDonald reports that McCartney sang a backing vocal, but recording engineer Geoff Emerick said that Lennon did all the vocals himself, and when a frustrated McCartney asked Lennon, “What do you want me to do on this track, John?”, Lennon replied, “Don’t worry, I’ll do the overdubs on this.”
In a 1970 interview in the Evening Standard, McCartney said he was disappointed about not singing live with Lennon; instead, he overdubbed his vocals later:
Even on Abbey Road we don’t do harmonies like we used to. I think it’s sad. On “Come Together” I would have liked to sing harmony with John, and I think he would have liked me to, but I was too embarrassed to ask him, and I don’t work to the best of my abilities in that situation.